07 Sep 2009
Actus Tragicus, review
http://www.telegraph.co.uk/culture/music/opera/6149883/Actus-Tragicus-review.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.telegraph.co.uk/culture/music/opera/6149883/Actus-Tragicus-review.html
By Rupert Christiansen [The Telegraph, 7 September 2009]
The curtain rises on Actus Tragicus to show a stage filled with the cross-section of a modern tenement block. Slowly its 20 rooms fill with about 50 ordinary people engaged in a spectrum of human activities, from ironing and dressing to making love and contemplating suicide. Death is at hand: a black-suited figure prowls silently, and the naked body of the unresurrected Christ lies in the cellar.