11 Sep 2009
Mid-19th-Century Tale With Oedipal Plot Twist
http://www.nytimes.com/2009/09/12/arts/music/12emmeline.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2009/09/12/arts/music/12emmeline.html
By Steve Smith [NY Times, 11 September 2009]
Few recent operas have enjoyed the success that Tobias Picker’s “Emmeline” achieved on its arrival in 1996. Its critically acclaimed debut production at the Santa Fe Opera was nationally televised on PBS and issued on CD; New York City Opera mounted the work in 1998.