29 Sep 2009
Opera Vivente stages Rossini's 'Cinderella'
http://www.baltimoresun.com/entertainment/arts/bal-ae.artsscene29sep29,0,2156188.story
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.baltimoresun.com/entertainment/arts/bal-ae.artsscene29sep29,0,2156188.story
By Tim Smith [Baltimore Sun, 29 September 2009]
Just as Shirley Temple was good medicine for the Great Depression, comic operas by Rossini seem ideal diversions for the Great Recession. A couple of weeks ago, Washington National Opera revived the composer’s most famous work, “The Barber of Seville.” And, over the weekend, Opera Vivente jumped into its 12th season with another sparkler, ” Cinderella.”