07 Sep 2009
To aria is human, to tweet divine
http://www.thestar.com/entertainment/article/691807
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.thestar.com/entertainment/article/691807
Marcia Adair [Toronto Star, 7 September 2009]
LONDON, ENGLAND-And so begins Twitterdämmerung, the new opera premiered at London’s Royal Opera House Saturday afternoon.
The libretto was created over three weeks by Royal Opera House Twitter followers, inspired by the party game Consequence, according to ROH spokesperson Sara Parsons, where one person writes a line to a story, folds the paper and hands it to the next person to write the following line. The result is then read aloud and hilarity ensues.