19 Oct 2009
German soprano Nadja Michael gives a staggering performance as Salome at S.F. Opera
http://www.mercurynews.com/entertainment/ci_13595266?source=rss
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.mercurynews.com/entertainment/ci_13595266?source=rss
By Richard Scheinin [Mercury News, 19 October 2009]
In Richard Strauss’ “Salome,” a teenage nymphomaniac princess discovers her inner necrophilia. At the opera’s conclusion, she kisses the crimson lips of the severed head of a prophet, John the Baptist, served to her on a silver platter. Top that, Quentin Tarantino.