08 Nov 2009
Reborn: Neglected Work and City Opera
http://www.nytimes.com/2009/11/09/arts/music/09esther.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2009/11/09/arts/music/09esther.html
By ANTHONY TOMMASINI [NY Times, 8 November 2009]
With the New York City Opera’s production of Hugo Weisgall’s “Esther,” which opened on Saturday night at the David H. Koch Theater, this essential company, teetering on the brink of extinction not long ago, announced it was back. Not just up and running, but exuding purpose and confidence.