25 Nov 2009
Swan Song of Offenbach, the Outsider
http://www.nytimes.com/2009/11/29/arts/music/29tales.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2009/11/29/arts/music/29tales.html
By VIVIEN SCHWEITZER [NY Times, 25 November 2009]
“NO offense, but it’s a little like Frankenstein,” the director Bartlett Sher genially told the bass-baritone Alan Held during a recent rehearsal of Offenbach’s “Contes d’Hoffmann” (“Tales of Hoffmann”) at the Metropolitan Opera. Mr. Sher, referring to the menacing laugh that announces Dr. Miracle’s appearance in the second act, suggested that Mr. Held, who is singing the four villains, try a subtler approach.