07 Dec 2009
Iphigénie, La Monnaie, Brussels
http://www.ft.com/cms/s/0/d034585e-e358-11de-8d36-00144feab49a.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/d034585e-e358-11de-8d36-00144feab49a.html
[Financial Times, 7 December 2009]
By the simple expedient of stringing two Gluck operas together, Brussels’ La Monnaie has come up with an evening of Wagnerian proportions. For five hours, Iphigénie and Diana warily circle around one another. Surprisingly little blood is shed.