11 Dec 2009
Notes of Ancient Greece in a Seldom-Seen Work
http://www.nytimes.com/2009/12/11/arts/music/11faure.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2009/12/11/arts/music/11faure.html
By ALLAN KOZINN [NY Times, 11 December 2009]
The Manhattan School of Music Opera Theater keeps its students on their toes with a balance of unusual works they may never sing again and standard repertory that they will sing plenty. The audiences for these productions stand to benefit either way. The Manhattan School has a fine track record for turning out singers of consequence: Susan Graham and Dolora Zajick are among the program’s alumni. And its repertory choices have been discerning. Though the Metropolitan Opera is getting around to Shostakovich’s “Nose” this season, the Manhattan School staged it in 1985.