03 Dec 2009
OperaUpClose: Puccini in the pub
http://www.guardian.co.uk/music/2009/dec/03/operaupclose-puccini-pub
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.guardian.co.uk/music/2009/dec/03/operaupclose-puccini-pub
Stephen Moss [The Guardian, 3 December 2009]
Puccini didn’t write any music for police sirens, but their appearance in the tender first act of La Bohème is by no means offputting once you get used to them. In fact they feel completely appropriate for the dodgy area in which the louche flat of our four bohemians is located. The composer had in mind the Left Bank in Paris, but the opera translates remarkably well to the upstairs room of the Cock Tavern in Kilburn, north-west London, where a young cast are rehearsing for next week’s opening, accompanied by sirens screeching through an open window.