18 Jan 2010
Henze weekend, Barbican, London
http://www.ft.com/cms/s/2/df7181d4-0455-11df-8603-00144feabdc0.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/df7181d4-0455-11df-8603-00144feabdc0.html
By Andrew Clark [Financial Times, 18 January 2010]
Having fallen from the public eye in Britain in recent years, Hans Werner Henze basked in the limelight of this two-day tribute involving the BBC Symphony Orchestra and the Frankfurt-based Ensemble Modern. With two substantial UK premieres, plus a cross-section of symphonic, piano and vocal music, the weekend did credit to everyone - not least the 83-year-old composer, looking frail but alert as he stood to acknowledge the hefty applause.