11 Feb 2010
Opera San Jose revisits the "Marriage of Figaro"
http://www.mercurynews.com/milpitas/ci_14375830
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.mercurynews.com/milpitas/ci_14375830
By Mort Levine [San Jose Mercury, 10 February 2010]
If you sit back and simply take in the “heavenly frivolities” of Mozart’s masterpiece, “The Marriage of Figaro,” with its rapid fire array of eminently memorable melodies, you might well miss the undercurrent of sexual tension and class resentment between nobles and those who serve them.