02 Feb 2010
Wozzeck, Yerba Buena Center for the Arts Theatre, San Francisco
http://www.ft.com/cms/s/2/a8f3bf10-101b-11df-841f-00144feab49a.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/a8f3bf10-101b-11df-841f-00144feab49a.html
By Allan Ulrich [Financial Times, 2 February 2010]
Every enlightened artistic community needs an organisation like Ensemble Parallèle, pledged to staging significant 20th-century operas in relatively intimate spaces. Considering that the San Francisco Opera has not produced Berg’s still shattering expressionist masterpiece in a decade - and is not likely to under the current management - Nicole Paiement’s valiant band struck a blow last weekend for intelligent music theatre in which dedication triumphs over dollars.