18 Mar 2010
This Prince: What a Piece of Work
http://www.nytimes.com/2010/03/18/arts/music/18hamlet.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2010/03/18/arts/music/18hamlet.html
By Anthony Tommasini [NY Times, 18 March 2010]
The Metropolitan Opera under general manager Peter Gelb is defining itself through the choice and quality, however debatable, of its ambitious new productions. Yet bringing successful existing productions of overlooked works to the Met is just as important to the company’s artistic mission, not to mention a safer bet. And few operas have been as overlooked as Ambroise Thomas’s “Hamlet.”