10 Apr 2010
Gluck: Orphée et Eurydice
http://www.ft.com/cms/s/0/9d78c9b6-4142-11df-adec-00144feabdc0.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/0/9d78c9b6-4142-11df-adec-00144feabdc0.html
By Andrew Clark [Financial Times, 10 April 2010]
Gluck composed his most famous opera for Vienna in 1762 in Italian, later reworking and extending it for Paris in French, which is the version we hear in this live recording made last summer at Madrid’s Teatro Real. A third version, the one recorded 10 years ago by John Eliot Gardiner, is by Berlioz.