10 May 2010
'Amelia': Seattle Opera embraces challenge on a grand scale
http://seattletimes.nwsource.com/html/localnews/2011825569_vietopera10m.html?prmid=head_more
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://seattletimes.nwsource.com/html/localnews/2011825569_vietopera10m.html?prmid=head_more
By Marc Ramirez [Seattle Times, 10 May 2010]
The set, loosely visualized in a basketball-gym-sized rehearsal space, evokes a 1980s-era North Vietnamese village. Onstage, through an interpreter, a man and wife tell a young American woman — the title character of Seattle Opera’s production of “Amelia” — what happened to her father years earlier.