10 May 2010
Antony Walker: Big things lie ahead for opera conductor
http://www.washingtonpost.com/wp-dyn/content/article/2010/05/09/AR2010050902954.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.washingtonpost.com/wp-dyn/content/article/2010/05/09/AR2010050902954.html
By Anne Midgette [Washington Post, 10 May 2010]
When Antony Walker, an Australian conductor, came to Washington in 1999 to make his U.S. debut at Wolf Trap, he was affable, slightly pudgy and, in this country, unknown. Now, having wrapped up his seventh season as artistic director of the Washington Concert Opera with Rossini’s “Cenerentola” on Sunday, he’s still affable, trimmer and considerably better known.