10 May 2010
Canny tale of a femme fatale
http://www.ft.com/cms/s/2/79659804-5c51-11df-93f6-00144feab49a.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/79659804-5c51-11df-93f6-00144feab49a.html
By Martin Bernheimer [Financial Times, 10 May 2010]
Alban Berg’s ultimate masterpiece, Lulu, had its premiere in Zurich back in 1937. The Met finally acknowledged the opera 40 years later, thanks to the advocacy of James Levine. Although hardly a mass-audience favourite, the production - directed by John Dexter and designed by Jocelyn Herbert - has survived 33 sporadic performances, with Levine on duty on all but three occasions.