20 May 2010
Garsington Opera preview
http://www.oxfordtimes.co.uk/leisure/8176159.Garsington_Opera_preview/
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.oxfordtimes.co.uk/leisure/8176159.Garsington_Opera_preview/
By Nicola Lisle [Oxford Times, 20 May 2010]
For Daniel Norman, performing at Garsington has a huge advantage — he can just jump on his bike to get there. “There’s a lot of travelling in this job — a lot of the best-earning jobs are away, in mainland Europe,” he says. “So it’s nice to be able to do things on home turf and cycle, instead of having to get in the car or on a plane!”