10 May 2010
Juan Diego Flórez, Barbican, London
http://www.ft.com/cms/s/2/ee20f1dc-5c44-11df-93f6-00144feab49a.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/ee20f1dc-5c44-11df-93f6-00144feab49a.html
By Richard Fairman [Financial Times, 10 May 2010]
With his star turn in Donizetti’s La Fille du régiment due for a repeat run at the Royal Opera House, Juan Diego Flórez is back in town. He will want to make sure his pealing runs of high Cs are polished up for the opening night and the Peruvian tenor’s warm-up routine included this solo recital with piano accompaniment on Friday.