21 May 2010
Opera Cleveland presents a winning new "Lucia"
http://www.cleveland.com/musicdance/index.ssf/2010/05/lucia_review.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.cleveland.com/musicdance/index.ssf/2010/05/lucia_review.html
By Donald Rosenberg [Cleveland Plain Dealer, 21 May 2010]
Is it any wonder that Lucia goes off the deep end?
She’s in love with a tenor - surprise, surprise - who is unacceptable to her family. She has to sing a lot of tricky music, occasionally in tandem with an equally perky flute. And she often must contend with a concept that places the composer, Gaetano Donizetti, on the back bench.