26 May 2010
Opera Lafayette's 'Sancho Panca'
http://www.washingtonpost.com/wp-dyn/content/article/2010/05/25/AR2010052504888.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.washingtonpost.com/wp-dyn/content/article/2010/05/25/AR2010052504888.html
By Anne Midgette [Washington Post, 26 May 2010]
Everyone should know his place. It’s a sentiment that has anchored European society for the last millennium or so — farmers belong on their farms, nobles in their castles — and it’s the motto of “Sancho Pança,” an opera from 1762 by François-André Danican Philidor that had what was alleged to be its modern American premiere at the Kennedy Center’s Terrace Theater on Monday night.