23 May 2010
Ottone in Villa
http://www.guardian.co.uk/music/2010/may/23/ottone-in-villa-review
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
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http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.guardian.co.uk/music/2010/may/23/ottone-in-villa-review
Tim Ashley [The Guardian, 23 May 2010]
Premiered in 1713, Vivaldi’s bitter little comedy Ottone in Villa was his first opera and stands, in some respects, at a tangent to its successors. At just over two and a half hours, it is short by his standards, while its taut dramaturgy precludes the sprawling quality that hampers his later stage works.