22 Jun 2010
Best When It's Tangy, Not Sweet
http://online.wsj.com/article/SB10001424052748704895204575320720137221224.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://online.wsj.com/article/SB10001424052748704895204575320720137221224.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4
By Heidi Waleson [WSJ, 22 June 2010]
The beauty of Roald Dahl's darkly comic children's books is how they balance attraction and menace. "The Golden Ticket"—an opera by composer Peter Ash and librettist Donald Sturrock, based on Dahl's novel "Charlie and the Chocolate Factory," having its world premiere at Opera Theatre of Saint Louis—is most successful when its score does the same. The opera's best music is edgy and snappy, its astringent orchestration giving prominence to the winds and the brass, capturing the story's restless unpredictability. But when it ventures into pure lyricism, it often meanders and sags.