01 Jun 2010
Spoleto So Far: intense piano music, funny dance, a spare opera and a change at the top
http://www.free-times.com/index.php?cat=1991103094321166&act=post&pid=11860106103975381
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.free-times.com/index.php?cat=1991103094321166&act=post&pid=11860106103975381
By Jeffrey Day [Free Times, 1June 2010]
Even after going to the Spoleto Festival for 20 years now, I kind of freak out about everything I’ve jammed into my schedule — usually 15 performances in five days — and how little I really know about most of it. The first day is nuts, but the second day I feel like I’ve been there for a week, and by that time I’ve seen something really good or at least interesting.