25 Jul 2010
Overdue Debut for Composer and Exiled Prince
http://www.nytimes.com/2010/07/26/arts/music/26dream.html?_r=2&ref=arts
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2010/07/26/arts/music/26dream.html?_r=2&ref=arts
By Anthony Tommasini [NY Times, 25 July 2010]
SANTA FE, N.M. — When an opera company presents a world premiere by a living composer, the opera in question usually represents the composer’s current style and approach. This was not the case on Saturday night for the absurdly overdue premiere of Lewis Spratlan’s “Life Is a Dream” here at the Santa Fe Opera.