22 Aug 2010
A Rarely Heard Mozart Cantata Completes a Wide-Ranging Festival
http://www.nytimes.com/2010/08/23/arts/music/23mozart.html?_r=1&ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2010/08/23/arts/music/23mozart.html?_r=1&ref=music
By Anthony Tommasini [NY Times, 22 August 2010]
Since becoming the music director of the Mostly Mozart Festival in 2002, the conductor Louis Langrée has worked closely with Jane Moss, the festival’s artistic director, to expand its repertory horizons. This season we have heard everything from ancient Georgian polyphony to an avant-garde work by Helmut Lachenmann.