12 Aug 2010
Eugene Onegin, Royal Opera House, London
http://www.ft.com/cms/s/2/af1398de-a620-11df-9cb9-00144feabdc0.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/af1398de-a620-11df-9cb9-00144feabdc0.html
By Richard Fairman [Financial Times, 12 August 2010]
The Bolshoi Ballet has dazzled London audiences with its jumps, leaps and spins, and returned to Moscow. Now it is the turn of the Bolshoi Opera, which is following in its footsteps for a short run of four performances of the company’s 2006 production of Tchaikovsky’s Eugene Onegin - the one that caused such a furore back home.