23 Aug 2010
The battle for Bayreuth
http://www.guardian.co.uk/music/2010/aug/23/katharina-wagner-bayreuth
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.guardian.co.uk/music/2010/aug/23/katharina-wagner-bayreuth
By Kate Connolly [The Guardian, 23 August 2010]
Wotan, father of the gods, has just kissed his daughter, Brünnhilde, to sleep and left her to burn alive. Katharina Wagner raises her eyebrows as she smacks her lips around an ice-cream, and looks on in satisfaction at the sea of 20,000 people who have gathered on Bayreuth's carnival ground to watch a live transmission of The Valkyrie on a huge screen. "I think we've pulled it off," she says.