27 Sep 2010
Los Angeles Opera revives 'Marriage of Figaro'
http://latimesblogs.latimes.com/culturemonster/2010/09/opera-review-los-angeles-opera-revives-marriage-of-figaro-.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://latimesblogs.latimes.com/culturemonster/2010/09/opera-review-los-angeles-opera-revives-marriage-of-figaro-.html
By Mark Swed [LA Times, 27 September 2010]
Mozart’s “The Marriage of Figaro” has been called the perfect opera. David Cairns, in his keen recent study, “Mozart and His Operas,” goes out on a limb: “For the first time music has found the means of embodying the interplay of living people." No opera by Mozart or anyone else, the British scholar further contends, is so "in total harmony with itself.”