02 Sep 2010
Why no modern-day equals to 'Carmen,' 'Tosca'?
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/09/01/DDRS1F4TM8.DTL
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/09/01/DDRS1F4TM8.DTL
[SFGate.com, 2 September 2010]
Dear Mr. Kosman: How come we don't have any modern opera composers that approach those of the past? When you hear "Carmen" or "Tosca," you can hum the melodies of those compositions, but I dare anyone to hum the melodies of anything composed after 1930. It would be so nice to hear a new "warhorse" opera. Where is the modern-day version of Verdi, Wagner, Puccini or Bizet?