10 Nov 2010
Bampton Classical Opera: Holywell Music Room
http://www.oxfordtimes.co.uk/leisure/8628534.Bampton_Classical_Opera__Holywell_Music_Room/
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.oxfordtimes.co.uk/leisure/8628534.Bampton_Classical_Opera__Holywell_Music_Room/
By Nicola Lisle [Oxford Times, 10 November 2010]
Schumann have grabbed the lion’s share of the attention, while poor old Thomas Arne — born 300 years ago — has struggled to get a look in. Bampton Opera put that right on Friday with a double bill of two Arne masques, presented as concert versions — extracts from Alfred, composed in 1753 for the third birthday of Augusta, Princess of Brunswick, and The Judgement of Paris, composed in 1742, the same year that a fundraising campaign was launched to build the Holywell Music Room.