06 Feb 2011
La Boheme
http://www.seattlepi.com/pop/434904_152899-blogcritics.org.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.seattlepi.com/pop/434904_152899-blogcritics.org.html
By Jack Goodstein [Seattle PI, 6 February 2011]
I don't know if Puccini's La Boheme is the most often recorded opera ever written, but if it isn't, it has got to be one of the prime contenders for that honor. The tragic lovers have been sung by most every significant soprano and tenor of the past century, many more than once: Callas and Freni, Victoria de Los Angeles and Montserrat Caballé, Placido Domingo and Jussi Bjorling, and Gigli and Pavarotti. And these are only a few.