03 Feb 2011
President and Opera, on Unexpected Stages
http://www.nytimes.com/2011/02/04/arts/music/04nixon.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2011/02/04/arts/music/04nixon.html
By Anthony Tommasini [NY Times, 3 February 2011]
During a panel discussion about “Nixon in China” on Tuesday at the Metropolitan Opera, Peter Gelb turned to the team of onetime artistic rebels who created this work for its Houston Grand Opera premiere in 1987 and suggested that back then, surely, no one involved had had any ambitions for the Met. Other than “for its dismantlement,” Mr. Gelb added.