25 Mar 2011
A Lively, Stylish Met Debut For Rossini’s Last Comic Opera
http://www.nytimes.com/2011/03/26/arts/music/bartlett-sher-directs-rossinis-le-comte-ory-at-the-metropolitan-opera.html?_r=1
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2011/03/26/arts/music/bartlett-sher-directs-rossinis-le-comte-ory-at-the-metropolitan-opera.html?_r=1
By Anthony Tommasini [NY Times, 25 March 2011]
When you consider how it came into being, “Le Comte Ory,” Rossini’s final comic opera, should have turned out a mess. It was a conflation of two completely different works: “Il Viaggio a Reims,” an operatic entertainment written by Rossini to celebrate the coronation of Charles X in France; and a one-act vaudeville play about the exploits of a libidinous young nobleman, Count Ory, and his band of knights, who weasel their way into a French convent during the Crusades.