25 Mar 2011
A Magical 'Flute' Without the Fanfare
http://online.wsj.com/article/SB10001424052748704608504576208381100985642.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://online.wsj.com/article/SB10001424052748704608504576208381100985642.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4
By Paul Levy [WSJ, 25 March 2011]
LONDON—Is it possible to get to the essence of Mozart and his librettist Emanuel Schikaneder's opera "Die Zauberflöte"? Peter Brook's bare-boards adaptation, "A Magic Flute," at the Barbican, does just that; it strips away the Masonic lore, the sets—reduced to a forest of freestanding flexible poles—and even the orchestra.