15 Mar 2011
Rodelinda, Royal College of Music, London
http://www.ft.com/cms/s/2/a55dd1aa-4f2c-11e0-9038-00144feab49a.html#axzz1Gi4nmXqx
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/a55dd1aa-4f2c-11e0-9038-00144feab49a.html#axzz1Gi4nmXqx
[Financial Times, 15 March 2011]
It hardly feels two years since the commemorative events marking the 250th anniversary of Handel’s death. Every year seems to be Handel year now: there is hardly any period in the calendar without his music and the newly invigorated London Handel Festival, in its 34th year, has turned the spring into a veritable Handelian open season.