22 Apr 2011
Salome, Grosses Festspielhaus, Salzburg Easter Festival
http://www.ft.com/intl/cms/s/2/d45ecf90-6bce-11e0-93f8-00144feab49a.html#axzz1MpT5AwTw
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/d45ecf90-6bce-11e0-93f8-00144feab49a.html#axzz1MpT5AwTw
By Shirley Apthorp [Financial Times, 22 April 2011]
A gigantic moon, symbol of obsession, gazes out at the audience of this year’s Salzburg Easter Festival. Literally. Some way into the action, a series of eyes open and blink back at us from between lunar craters. As we watch, we are seen.