13 Apr 2011
Sonntag aus Licht, Staatenhaus, Cologne
http://www.ft.com/cms/s/2/bcf09dda-65e7-11e0-9d40-00144feab49a.html#axzz1JW2V4gES
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/cms/s/2/bcf09dda-65e7-11e0-9d40-00144feab49a.html#axzz1JW2V4gES
By Shirley Apthorp [Financial Times, 13 April 2011]
Imagine being there for the world premiere of Götterdämmerung. Stockhausen’s Licht cycle is arguably the Ring of our time, and the world premiere of its seventh and final part last weekend in Cologne felt like something so monumentally ambitious that the comparison could hold.