24 May 2011
Oresteïa, Karlsplatz, Vienna
http://www.ft.com/intl/cms/s/2/8607a222-8555-11e0-ae32-00144feabdc0.html#axzz1NOxzuRP1
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/8607a222-8555-11e0-ae32-00144feabdc0.html#axzz1NOxzuRP1
By Shirley Apthorp [Financial Times, 24 May 2011]
History and art overlap as the sun sets over Vienna’s Karlskirche. Cassandra sings of bloodbaths in the House of Atrius and flames lick the water of the 19th-century Karlsplatz pond, painting a Henry Moore sculpture orange while the fading light turns the 18th-century church delicate shades of eggshell.