15 Jun 2011
Les Huguenots, La Monnaie, Brussels
http://www.ft.com/intl/cms/s/2/c4799c7e-9769-11e0-af13-00144feab49a.html#axzz1PN2rygwk
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/c4799c7e-9769-11e0-af13-00144feab49a.html#axzz1PN2rygwk
By Francis Carlin [Financial Times, 15 June 2011]
Meyerbeer’s grand French operas were very much creatures of their time, bloated extravaganzas that needed the considerable resources of the Paris Opera to work. If they are so rarely performed today, it has nothing to do with a cabal manoeuvring behind the scenes as so many of his fans claim, but because they are too demanding and overlong.