06 Jul 2011
Cendrillon, Royal Opera House, London
http://www.ft.com/intl/cms/s/2/231c0982-a7bf-11e0-a312-00144feabdc0.html#axzz1RWydPyil
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/231c0982-a7bf-11e0-a312-00144feabdc0.html#axzz1RWydPyil
By Richard Fairman [Financial Times, 6 July 2011]
One wave of the fairy godmother’s magic wand and Massenet’s delicate opera might disappear. Its music alternates between long scenes of comic business as threadbare in material as Cinderella’s rags and light-as-thistledown love duets as enchanting as any ever written. Long neglected, Cendrillon is getting its first performances at the Royal Opera House.