21 Jul 2011
Inside a Master Class: Breathe, Punctuate, Forget Led Zeppelin
http://www.nytimes.com/2011/07/22/theater/master-classes-with-masters-like-raul-esparza.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2011/07/22/theater/master-classes-with-masters-like-raul-esparza.html
By Erik Piepenburg [NY Times, 21 July 2011]
IN the Terrence McNally play “Master Class,” the opera diva Maria Callas (played by Tyne Daly) understands pedagogy to mean wiping the floor with young students’ ambitions.
“Try isn’t good enough,” Callas scolds. “Do.”