02 Jul 2011
Soprano regains her composer
http://www.smh.com.au/entertainment/music/soprano-regains-her-composer-20110701-1gut4.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.smh.com.au/entertainment/music/soprano-regains-her-composer-20110701-1gut4.html
By Joyce Morgan [Sydney Morning Herald, 2 July 2011]
With her mane of wavy hair, the woman swaying along to the Cure at the Opera House recently may have looked familiar. But soprano Cheryl Barker is more often seen on its stage than in the audience.