28 Aug 2011
A Classic That Still Vexes as It Pleases
http://www.nytimes.com/2011/08/29/arts/music/porgy-and-bess-at-tanglewood-festival-review.html?_r=1&ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2011/08/29/arts/music/porgy-and-bess-at-tanglewood-festival-review.html?_r=1&ref=music
By Zachary Woolfe [NY Times, 28 August 2011]
LENOX, Mass. — On Friday evening a hurricane raged toward the Atlantic coast. At the same time one roared onstage here at the Tanglewood Festival, threatening the lives of the inhabitants of Catfish Row, the South Carolina ghetto that is the setting of George Gershwin’s opera “Porgy and Bess.”