14 Aug 2011
Love Beats Science in a Spoof by Menotti
http://www.nytimes.com/2011/08/15/arts/music/last-savage-and-wozzeck-at-santa-fe-opera-review.html?ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2011/08/15/arts/music/last-savage-and-wozzeck-at-santa-fe-opera-review.html?ref=music
By Anthony Tommasini [NY Times, 14 August 2011]
SANTA FE, N.M. — When Gian Carlo Menotti’s “Last Savage” had its American premiere at the Metropolitan Opera in early 1964, after its introduction at the Opéra Comique in Paris, its poor reception was explained by defenders as a case of bad timing.