13 Aug 2011
The Makropulos Case, Grosses Festspielhaus, Salzburg
http://www.ft.com/intl/cms/s/2/b0a27de6-c44c-11e0-ad9a-00144feabdc0.html#axzz1V2l4nwtt
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/b0a27de6-c44c-11e0-ad9a-00144feabdc0.html#axzz1V2l4nwtt
By Shirley Apthorp [Financial Times, 13 August 2011]
The combination has worked before. Christoph Marthaler and Anna Viebrock as maverick director and eccentric stage director, Angela Denoke in the title role. Their 1998 Katja Kabanova was one of the Salzburg Festival’s finest moments.