27 Sep 2011
The Bostridge Project, Wigmore Hall, London
http://www.ft.com/intl/cms/s/2/e086f992-e8e6-11e0-ac9c-00144feab49a.html#axzz1ZCvC3xiw
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/e086f992-e8e6-11e0-ac9c-00144feab49a.html#axzz1ZCvC3xiw
By Andrew Clark [Financial Times, 27 September 2011]
As a concert series showcasing the versatility of a well-known but sometimes typecast artist, the Bostridge project seems a good idea. You can hear Ian Bostridge in Schubert and Britten as often as you like, in many different places, but only in a curated series such as this, in front of “his” devoted Wigmore public, can you hear him sing rarely performed secular cantatas by Alessandro Scarlatti and Handel.