24 Oct 2011
Oedipe, La Monnaie, Brussels
http://www.ft.com/intl/cms/s/2/27a154c0-fe28-11e0-bac4-00144feabdc0.html#axzz1c0MJ4NlZ
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.ft.com/intl/cms/s/2/27a154c0-fe28-11e0-bac4-00144feabdc0.html#axzz1c0MJ4NlZ
By Francis Carlin [Financial Times, 24 October 2011]
Oratorio or opera? Enescu’s only work for the stage is such a fascinating score that the question seems of secondary importance. First performed at the Paris Opera in 1936 and very rarely heard since, Oedipe is Enescu’s musical testament, a richly harmonised compendium of tradition and modernity.