31 Aug 2014
Delusion of the Fury - Heiner Goebbels brings an extraordinary opera to life
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
By Andrew Clements [31 August 2014, The Guardian]
Heiner Goebbels has been a regular visitor to the Edinburgh festival since the 1990s; a succession of his unique music-theatre hybrids, from Black on White in 1997 onwards, have had their British premieres there. But his latest visit was the most extraordinary yet - the staging of Delusion of the Fury, Harry Partch's only completed opera, which Goebbels created last year with Ensemble musikFabrik as part of his three-year directorship of the Ruhrtriennale.